Reading science fiction stories enables people with poor grasp in English to improve their grammar skills. Speaking and writing in broken English is the result of not knowing how the structure of this English paragraph work. Through routine studying, you will learn the appropriate way to write a correct English sentence. You will find sci-fi stories at different reading difficulty levels. You can begin from the one with easy reading difficulty level which has shorter duration and then gradually progress to reading stories with harder reading difficulty that have more length.
As you read the science fiction story, you will encounter words that you don’t know. Each time you locate a difficult term, you should look up the dictionary and find out its meaning. If you did not buy a dictionary, then you can use the online dictionary to look up the meaning of the phrase. You can learn how to pronounce the new word correctly by playing the audio to your pronunciation in the online dictionary. The more science fiction stories you read, the broader your vocabulary will become.
Well, that depends on the kind of story you are writing. The period of your tale will dictate the quantity of character information you’ll have to make them come to life. For simplicity’s sake, I’ve broken my personality sheet to what I use for every kind of writing. Your character sheets might vary.
Fiction by its very definition is unreal. After we see a novel we know that the story and the characters in it are merely a product of creativity of the writer. When we view a film we are aware that the characters are just acting their parts basically pretending to be somebody besides themselves. Still we are emotionally affected by the twists and turns in the narrative. We laugh, weep together, and even sense indignant towards the bad guys. The adorable hero or heroine might be despicable in actual life and the villain may be a perfect gentleman, but we identify them with the characters they are portraying. In essence for that brief period we get hauled into the imaginary world of the writer. Oddly enough this happens too with the writer at least to some of these. He or she travels through the very same emotions while writing and possibly later also. We are offering you solid pieces of advice here, but do be aware that some are more critical to understanding pop over to this site. What is more important for you may be much less so for others, so you have to consider your unique conditions. As you realize, there is much more to the story than what is available here. The final half of the article will offer you a lot more solid info about this. Even following what is next, we will not quit there because the best is but to come.
“Knowledge is limited, imagination is not.” Albert Einstein explained that although the wording of the next part might have been different. Einstein like any other human being was not infallible. Some of his views he held right till the ending turned out to be wrong within the subject of physics. In this particular announcement he also seems to have it backwards. Knowledge may be limited in the case of someone but in general it is unlimited even when we consider just rational knowledge leaving aside transcendental. Science in particular has shown this at every step in the course of its own development. Imagination pertains to a single mind and is constrained by several factors based on the situation of the individual. A mind can imagine only what relates in some way to matters already stored inside. Someone who has been outside a distant place in wilderness and has had no contact with the world outside cannot imagine what metropolitan cities are like.
Getting back to fiction the imagination of the author also has to be predicated on his direct or indirect encounters. In this sense fiction is based on fact and to that extent it represents another dimension of truth. Here of course we run into the philosophical problem of the exact significance of reality. There are two diametrically opposite views – materialistic and spiritualistic. According to the former only things that can be perceived through our perceptions are real, everything else is unreal. The latter maintains that there is just one ultimate fact from which all that we perceive comes out and everything that’s perceived is only an illusion. We again consider a statement by Einstein: “Reality is merely an illusion, albeit a persistent one.” He was obviously referring to the fact of this phenomenal world. The term illusion can have different connotations but in general it means perceiving something as different from what it really is. So the existence of this thing is a necessity for illusion, it is not a mental construction. Imagination is purely a mental phenomenon and has nothing to do with whatever actually existent. Thus the relationship between fiction and reality is completely different from that between illusion and reality. It does take some time to write a complete story for any kind of book.
At a philosophical sense that the phenomenal world itself may be regarded as fiction. That is what Shakespeare perhaps meant when he wrote: “All the world’s a stage, and all men and women merely players”. We might also consider everything in the universe (space, time, matter) as players because everything has its own entry and exit. We of course run into the issue of saying what the stage is and who wrote the script. Shakespeare most probably believed in God, strict determinism, also in the reality of earth, so he did not have this issue. Now it is generally believed that the universe also includes a beginning and will have an ending. If the world is also a participant, are there multiple universes or does it come alone on the platform and then presents other players? However, what is the stage in this case? Quantum physics points to one possibility. At extremely small scales of space and time there’s a quantum emptiness that is not really empty but filled with energy that is constantly transforming itself to virtual particles and back. What remains after the conclusion of the world could possibly be an infinite version of the quantum emptiness full of energy into which all the thing has transformed itself. This universal energy is the source of and background for all.
It isn’t merely a philosophical point either. We invest a considerable part of our own life in the fictional world. We muse about the things in future and dwell over the prior imagining what might have been. The imagination about the future is dependent on our hopes and ambitions and to some extent it’s a positive in the sense we’re in a position to mold our future if we sincerely attempt. But musing within the past is really a futile exercise since we all know for a fact that ‘what might have been’ is mere fantasy that never happened. Nevertheless it serves the same purpose as fiction in the point of view of entertainment. We amuse ourselves by imagining how life could have been, knowing fully well that it has no reality whatsoever. In a metaphorical sense past, at least the distant past, is fiction. In a particular sense history is fiction as it always includes the abstract bias of the author. What we know of Buddha and Jesus today is more fiction than truth.